Manifesto

ECOPOETRY
(New
Millenium Poetry)
GRACE
(Global
Reparative
and
Communicative
Eco
Poetry)
Global
In the age of
Global Communication, Poetry must as well know how to communicate globally.
It must be open to the different cultural realities of the world, and it
must share and spread the values of its own time.
This new
poetry will be Global because it lives in a time in which, due to the new
technologies, all the thoughts, all the emotions and all the creativity of
the world come universally and contemporarily into contact with each other.
Reparative
A poetry that
overcomes the bipolar thinking of the Twentieth Century – which established
a clean separation between reason and artistic creation - in order to feed
itself of a new type of thought: the” reparative thinking”, an
interconnected way of thinking and feeling.
Such a Poetry
will be able to awake the minds stunned by a continuous and overabundant
mediatic storm of news and images, and will make them receptive towards the
values of the XXI Century:
-
the
safeguard of our planet and a new relationship with all the living beings
(Ecopoetry **),
-
the
testimony of the fundamental rights of Man, the pacific cohabitation of
the peoples (Art & Peace),
-
the new and
various introspection of the Self, etc.
Communicative
A poetry that
frees itself from the circumscribed erudite literary cultures, from the old
sibylline fashion of the vanguards and from the local poetic traditions, in
order to open itself to a simple and clear poetic communication,
understandable for all the cultures, and therefore also easy
translatable, in order to spread to a more and more increased public, as
demanded by the General Conference of Unesco.
Someone temporarily defines this
new Poetry “Post-post-modern Poetry”, because it receives, and
exceeds, some tendencies of the post-modern currents.
This Manifesto defines this new
poetry:
G.R.A.C.E
POETRY (Global
Reparative
and
Comunicative
Eco-Poetry)
More generally
GRACE
ART (Global
Reparative
and
Comunicative
Eco
ART) for every sort of Art.